The intersection of rock and electronic music has been clusterfucked for years, and it takes extraordinary skills to stand out. Belgium’s Soulwax have been in that nexus for decades. The group’s creative core of David and Stephen Dewaele have gone from generating convincing facsimiles of grunge on their 1996 debut LP Leave the Story Untold […]
Though he began releasing music in the early ’90s, Jeff Tweedy has been a steady, calming force for aging indie fans for the past 20 years. After kicking a painkiller addiction and seemingly moving past the anxiety that fueled early Wilco classics such as Summerteeth and Yankee Hotel Foxtrot, Tweedy has mainly explored warm, genial […]
Even in our post-genre era, Doja Cat remains hard to pigeonhole. Since hitting superstardom in 2019, her hits have shifted between hip-hop, pop, R&B, Afrobeat, and even indie singer-songwriter. But even with all that, I didn’t expect Vie. In the lead-up, buzz suggested Vie would be a retro pop album. And it is, but let’s […]
The list of “bitchin’” things in music is select: Camaros, summers, pretty lives. Meditative, drone-filled music built on synths, drum machines, and woodwinds usually does not fit the bill. Yet the Chicago trio Bitchin Bajas (possibly named after the late, lamented Subaru coupé utility vehicle) makes a strong case for the bitchin-ness of their aggressively […]
Bleeds, the fifth salvo from this Dead Oceans-signed, Asheville, N.C.-based indie outfit, is truly the best album of 1994. Who thought it would be so compelling to graft country rock idioms to the relentless decibels of British shoegaze and American grunge and then have the whole cyclone spin around a slacker vocalist? Then again, mediocrity […]
Roxy Music released its final album, Avalon, in 1982, capping off a decade that saw the group morph from the shimmering art rock of its debut to something more majestic but wearier. Seven years had passed since the group’s last masterpiece (Siren). The uneven Manifesto (1979) and Flesh + Blood (1980) felt like a group […]
As a member of the hardcore outfit the Armed and the atmospheric jazz collective Fuubutsushi, Patrick Shiroishi has proven that he can handle both aggressive thrash and evocative ambience with finesse. For his latest solo project, he balances both, and creates something fraught and angry, yet strangely serene. Forgetting Is Violent begins with a voice […]
For one cruel moment it felt like we had David Bowie back. He went silent for nearly a decade after suffering a heart attack during a performance in Prague in 2004, resurfacing in 2013 with The Next Day, a strong collection of songs that felt like a comfortable, but not revelatory, coda to a multi-decade-long […]
From 1969 to 1979, a series of field recordings appeared on the Atlantic label under the title Environments. Song titles included “The Psychologically Ultimate Seashore” and “Dawn in New Hope, Pennsylvania” (which would have made a dynamite title for a Ween album), presenting painstakingly recorded sonic representations of places and the sound-worlds they produce. The […]
Baz Luhrmann’s EPiC: Elvis Presley in Concert, had its world premiere at the Toronto International Film Festival (TIFF) and has a handful of public screenings through Sept. 14, needs a subtitle, like “Why Elvis Was The King?”. The Elvis busts, Elvis impersonators, velvet Elvis, Elvis weddings, gaudy Graceland interior décor, later-life health struggles, pill dependency, […]