Tag: New Music

‘Cornucopia Live’ Captures Björk At the Height of Her Live Power

The best concert albums bring home the excitement of the live experience. Though the songs might not sound as polished as the studio versions, live records present us with different iterations of music that have continued to gestate long after the producer has applied the finishing touches. On triple-live album Cornucopia Live, released October 24, […]

October 27, 2025
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Tortoise’s Slow, Steady Roll Continues On ‘Touch’

First, we need to note that Tortoise releasing a record with anyone other than Thrill Jockey after a 30-plus-year relationship is a shocker for a group not known for dramatic changes. It’s akin to Autechre abandoning Warp! Anyway, the important thing about Tortoise is that their last two albums before the International Anthem/Nonesuch-reared Touch — […]

October 20, 2025
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Jeff Tweedy Goes Long With the Warm and Generous ‘Twilight Override’

Though he began releasing music in the early ’90s, Jeff Tweedy has been a steady, calming force for aging indie fans for the past 20 years. After kicking a painkiller addiction and seemingly moving past the anxiety that fueled early Wilco classics such as Summerteeth and Yankee Hotel Foxtrot, Tweedy has mainly explored warm, genial […]

September 30, 2025
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Doja Cat’s Pop Life

Even in our post-genre era, Doja Cat remains hard to pigeonhole. Since hitting superstardom in 2019, her hits have shifted between hip-hop, pop, R&B, Afrobeat, and even indie singer-songwriter. But even with all that, I didn’t expect Vie.  In the lead-up, buzz suggested Vie would be a retro pop album. And it is, but let’s […]

September 29, 2025
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Bitchin Bajas Switch on and Bitch Out

The list of “bitchin’” things in music is select: Camaros, summers, pretty lives. Meditative, drone-filled music built on synths, drum machines, and woodwinds usually does not fit the bill. Yet the Chicago trio Bitchin Bajas (possibly named after the late, lamented Subaru coupé utility vehicle) makes a strong case for the bitchin-ness of their aggressively […]

September 25, 2025
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Juxtaposition Is The Prescription On Wednesday’s ‘Bleeds’

Bleeds, the fifth salvo from this Dead Oceans-signed, Asheville, N.C.-based indie outfit, is truly the best album of 1994. Who thought it would be so compelling to graft country rock idioms to the relentless decibels of British shoegaze and American grunge and then have the whole cyclone spin around a slacker vocalist? Then again, mediocrity […]

September 22, 2025
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