The Killers’ Pressure Machine Is a Chilling Small-Town Portrait
Pressure Machine, The Killers’ audacious new concept album, is so foreboding and grim — how foreboding and grim is it? — that Brandon Flowers may soon receive a cease-and-desist letter from Utah’s department of tourism. The band’s seventh studio LP (and second in 12 months) is a jarring departure from the maximalized arena-rock of 2020’s […]