“Sorry, I was thinking about something else.” These are the first words you hear on the Beths’ latest, Straight Line Was A Lie, apologizing for the opening track’s false start. At first, it feels like a cute, self-deprecating peek behind the curtain from the celebrated New Zealand band, but upon reflection, it’s actually a fitting […]
“‘Dark Star’ is always playing somewhere. All we do is tap into it,” Grateful Dead bassist Phil Lesh supposedly said. Grayfolded, John Oswald’s epic collage of the Dead’s hallmark longform jam, assembled from fragments of more than 100 different performances spanning the band’s 30-year career, could be seen as an attempt to simultaneously channel every […]
Lucero keeps Ben Nichols busy. The Memphis-based collective has been going strong since 1998, touring constantly and releasing acclaimed albums, such as their 12th LP Should’ve Learned by Now (2023). Earlier this year, Nichols and Rick Steff put out Lucero Unplugged, a collection of stripped-down favorites from the band’s vast discography. It’s no wonder that […]
Though the final Talking Heads album came out in 1988, the band never really went away. Unlike defunct groups trapped in a cycle of rediscovery every generation or so, Talking Heads have remained indelible, hip with both the folks old enough to remember and art-damaged youngsters seeing David Byrne in an oversized suit for the […]
Being Funny in a Foreign Language is the sound of the 1975 no longer selling their own myth. They sound relieved. After a decade of playing the self-referential and pop-minded rock band – frontman Matty Healy’s famous “a millennial that baby-boomers like” lyric can still summarize why people love and hate him – the British […]
Let’s talk about Blue Rev. Not the new Alvvays album, but the booze for which it’s named, because this is some deeply, deliciously Canadian shit. The niche nostalgia play is fitting for a Toronto band largely defined by backward glances: to past loves and the jangly post-punk of C-86 bands like Primal Scream and the […]
When the Yeah Yeah Yeahs ensnared the rock consciousness with Fever to Tell almost 20 years ago, the band’s true magic was never bound to where they’d been — the romanticized New York underground pedigree, those “had to be there” early shows — but where they might be going. With Fever, in all its exhilarating, […]
If there’s been one deserving criticism of Maggie Rogers since Pharrell Williams famously likened the then-NYU student to the Wu-Tang Clan in 2016, it’s that the singer-songwriter entered the pop zeitgeist too fully formed. Sure, songs from the Maryland-born artist’s anticipated debut LP, 2019’s Heard It in a Past Life, were deftly penned — a […]
Interpol’s debut album, 2002’s Turn On the Bright Lights, thrust them into the blistering limelight of New York indie rock and solidified their signature sound: addictively melancholy rhythms (“NYC”), gargantuan anthems (“PDA”), and despondent ballads (“Leif Erikson”). The band also embraced the mystery that enveloped them: They quickly became known for their earnest demeanor, monochromatic […]
Rage Against The Machine finally kicked off their Public Service Announcement Tour last night, and Run The Jewels might have summarized it best while wrapping up their opening slot at Wisconsin’s Alpine Valley Theater before introducing the headliners. “It’s the oldest story there is. It’s us versus them,” said Killer Mike, referring to the people […]